Movement 3

This is the shortest movement, with lots of dynamic contrast and a mixture of legato and staccato. Like most of the piece, it's ultimately meant to go a lot faster than I can play it now, although some of the beauty of Beethoven is that it often works very well at a slower pace than marked - and sometimes also with unmarked variations in pace (eg when I'm learning a piece I'll often slow down in the hard bits, which normally destroys the feeling in Mozart, but often much less so in Beethoven).